BelleHaleine | press images

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Belle Haleine - The Scent of Art
 

Keyvisual.jpg (JPEG, 2.4 MB)

Print, 209 x 268 mm<br /> Rijksmuseum, Amsterdam<br /> © Foto: Rijksmuseum, Amsterdam<br />
Cornelis Cort, De Reuk (Odoratus), 1561
Print, 209 x 268 mm
Rijksmuseum, Amsterdam
© Foto: Rijksmuseum, Amsterdam



Print, 152 x 125 mm<br /> Rijksmuseum, Amsterdam<br /> © Photo: Rijksmuseum, Amsterdam<br />
Pieter Jansz. Quast, De Reuk, 1615-1647
Print, 152 x 125 mm
Rijksmuseum, Amsterdam
© Photo: Rijksmuseum, Amsterdam



Print, 188 x 134 mm<br /> Rijksmuseum, Amsterdam<br /> © Photo: Rijksmuseum, Amsterdam<br />
Cornelis Boel, Reuk, 1663-1693
Print, 188 x 134 mm
Rijksmuseum, Amsterdam
© Photo: Rijksmuseum, Amsterdam



Print, 25,8 × 19 cm<br /> Rijksmuseum, Amsterdam<br /> © Photo: Rijksmuseum, Amsterdam<br />
Anonym, De Reuk, 1683-1684
Print, 25,8 × 19 cm
Rijksmuseum, Amsterdam
© Photo: Rijksmuseum, Amsterdam



Silver gelatin print, 29.4 x 22.9 cm<br /> Städel Museum, Frankfurt am Main<br /> © 2014, Miloslava Rupešová; Photo: Städel Museum – ARTOTHEK<br />
Jaromír Funke, Stillleben, Vera-Violetta, ca. 1923
Silver gelatin print, 29.4 x 22.9 cm
Städel Museum, Frankfurt am Main
© 2014, Miloslava Rupešová; Photo: Städel Museum – ARTOTHEK



Carrot juice on paper, 73.7 x 58.4 cm<br /> Private collection<br /> © 2014, Ed Ruscha; Photo: Paul Ruscha<br />
Ed Ruscha, HONEY, HAND ME THE CAN OF NU-SMELL PLEASE, 1980
Carrot juice on paper, 73.7 x 58.4 cm
Private collection
© 2014, Ed Ruscha; Photo: Paul Ruscha



Silk organza, human body hairs, perfume, clothes hanger; size 38: 120 x 60 cm; color photo: 23.5 x 18.41 cm<br /> Exhibition copy of an edition of 3<br /> Courtesy: the artist and Galleria Raffaella Cortese, Milan<br /> © 2014, Jana Sterbak; Photo: Lorenzo Palmieri, Courtesy: the artist and <br /> Galleria Raffaella Cortese, Milan<br />
Jana Sterbak, Chemise de Nuit, 1993–2013
Silk organza, human body hairs, perfume, clothes hanger; size 38: 120 x 60 cm; color photo: 23.5 x 18.41 cm
Exhibition copy of an edition of 3
Courtesy: the artist and Galleria Raffaella Cortese, Milan
© 2014, Jana Sterbak; Photo: Lorenzo Palmieri, Courtesy: the artist and
Galleria Raffaella Cortese, Milan



Glass and stone (9.2 kg), 14,5 x 21,5 x 17 cm<br /> 8 different versions<br /> Courtesy: the artist and Galleria Raffaella Cortese, Milan<br /> © 2014, Jana Sterbak; Photo: Lorenzo Palmieri, Courtesy: the artist and <br /> Galleria Raffaella Cortese, Milan<br />
Jana Sterbak, Container For Olfactive Portrait, 2004
Glass and stone (9.2 kg), 14,5 x 21,5 x 17 cm
8 different versions
Courtesy: the artist and Galleria Raffaella Cortese, Milan
© 2014, Jana Sterbak; Photo: Lorenzo Palmieri, Courtesy: the artist and
Galleria Raffaella Cortese, Milan



102 bottles (each 50 ml) and 4 light boxes, edition 1/3, 5 x 500 x 8 cm<br /> Daimler Art Collection, Stuttgart/Berlin<br /> © 2014, Sylvie Fleury; Photo: Jens Ziehe, Berlin<br />
Sylvie Fleury, Aura Soma, 2002
102 bottles (each 50 ml) and 4 light boxes, edition 1/3, 5 x 500 x 8 cm
Daimler Art Collection, Stuttgart/Berlin
© 2014, Sylvie Fleury; Photo: Jens Ziehe, Berlin



102 bottles (each 50 ml) and 4 light boxes, edition 1/3, 5 x 500 x 8 cm<br /> Daimler Art Collection, Stuttgart/Berlin<br /> © 2014, Sylvie Fleury; Photo: Jens Ziehe, Berlin<br />
Sylvie Fleury, Aura Soma, 2002 (Detail)
102 bottles (each 50 ml) and 4 light boxes, edition 1/3, 5 x 500 x 8 cm
Daimler Art Collection, Stuttgart/Berlin
© 2014, Sylvie Fleury; Photo: Jens Ziehe, Berlin



Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Sylvie Fleury, Aura Soma, 2002 (Detail)
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Small glass bottle approx. 3.5 x 3.5 x 7 cm.<br /> 100% natural essential oil, distilled from a cross-section of all plants in <br /> Solitude Park, 27 ml<br /> © 2014, Anna-Sabina Zürrer; Photographer: Sibylle Kathriner<br />
Anna-Sabina Zürrer, Solitude, 2014
Small glass bottle approx. 3.5 x 3.5 x 7 cm.
100% natural essential oil, distilled from a cross-section of all plants in
Solitude Park, 27 ml
© 2014, Anna-Sabina Zürrer; Photographer: Sibylle Kathriner



Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Anna-Sabina Zürrer, Solitude, 2014
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Anna-Sabina Zürrer, Solitude, 2014
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Metallic structure, bi-resin, fabric, polystyrene, pvc, polyurethane foam, smoke machine, timer and various substances, L: max 500 cm, Base: 95 cm, width max. 260 cm x height 230 cm<br /> Courtesy les artistes et Air de Paris, Paris<br /> © 2014, ProLitteris, Zurich; Courtesy Air de Paris, Paris; Photo: Marc Domage<br />
Carsten Höller with François Roche, Hypothèse de grue, 2013
Metallic structure, bi-resin, fabric, polystyrene, pvc, polyurethane foam, smoke machine, timer and various substances, L: max 500 cm, Base: 95 cm, width max. 260 cm x height 230 cm
Courtesy les artistes et Air de Paris, Paris
© 2014, ProLitteris, Zurich; Courtesy Air de Paris, Paris; Photo: Marc Domage



Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Carsten Höller with François Roche, Hypothèse de grue, 2013
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Wooden box: 4.8 x 42.7 x 12.4 cm, with balloon, mouthpiece and stand<br /> Fondazione Manzoni, Milano<br /> © 2014, ProLitteris, Zurich; Photo: Annalisa Guidetti, Giovanni Ricci, Milano, courtesy Fondazione Piero Manzoni, Milano<br />
Piero Manzoni, Corpo d’aria No. 28, 1959/1960
Wooden box: 4.8 x 42.7 x 12.4 cm, with balloon, mouthpiece and stand
Fondazione Manzoni, Milano
© 2014, ProLitteris, Zurich; Photo: Annalisa Guidetti, Giovanni Ricci, Milano, courtesy Fondazione Piero Manzoni, Milano



Can, printed paper, height: 4.8 cm, diameter: 6cm <br /> Fondazione Manzoni, Milano<br /> © 2014, ProLitteris, Zurich; Photo: Agostino Osio, Milano, courtesy <br /> Fondazione Piero Manzoni, Milano<br />
Piero Manzoni, Merda d‘artista n. 78, 1961
Can, printed paper, height: 4.8 cm, diameter: 6cm
Fondazione Manzoni, Milano
© 2014, ProLitteris, Zurich; Photo: Agostino Osio, Milano, courtesy
Fondazione Piero Manzoni, Milano



Perfume flacon in box, 13 x 8 cm<br /> Collection Clo et Marcel Fleiss, Paris<br /> © 2014, ProLitteris, Zurich; Photo: Galerie 1900-2000<br />
Martial Raysse, Démocratie. Eau de Toilette (pour Homme), 1970
Perfume flacon in box, 13 x 8 cm
Collection Clo et Marcel Fleiss, Paris
© 2014, ProLitteris, Zurich; Photo: Galerie 1900-2000



Perfume flacon in box, 13 x 8 cm<br /> Collection Clo et Marcel Fleiss, Paris<br /> © 2014, ProLitteris, Zurich; Photo: Galerie 1900-2000<br />
Martial Raysse, Démocratie. Eau de Toilette (pour Femme), 1970
Perfume flacon in box, 13 x 8 cm
Collection Clo et Marcel Fleiss, Paris
© 2014, ProLitteris, Zurich; Photo: Galerie 1900-2000



4 S., 37,5 x 25,5 cm, III. 20<br /> Kunsthaus Zürich, Dada-Sammlung<br /> © Succession Marcel Duchamp / 2014, ProLitteris, Zürich<br />
New York Dada, New York, April 1921, Publishers: Marcel Duchamp and Man Ray
4 S., 37,5 x 25,5 cm, III. 20
Kunsthaus Zürich, Dada-Sammlung
© Succession Marcel Duchamp / 2014, ProLitteris, Zürich



Signed miniature of the readymade Air de Paris (1919) from La Boîte en<br /> valise (De ou par Marcel Duchamp ou Rrose Sélavy), Paris, New York, <br /> 1935–1941, glass ampoule, 4 x 2.5 x 2.5 cm<br /> Collection David Fleiss, Paris<br /> © Succession Marcel Duchamp / 2014, ProLitteris, Zurich; Photo: Galerie <br /> 1900–2000<br />
Marcel Duchamp, Air de Paris, 1935–1941
Signed miniature of the readymade Air de Paris (1919) from La Boîte en
valise (De ou par Marcel Duchamp ou Rrose Sélavy), Paris, New York,
1935–1941, glass ampoule, 4 x 2.5 x 2.5 cm
Collection David Fleiss, Paris
© Succession Marcel Duchamp / 2014, ProLitteris, Zurich; Photo: Galerie
1900–2000



Signed miniature of the readymade Air de Paris (1919) from La Boîte en <br /> valise (De ou par Marcel Duchamp ou Rrose Sélavy), Paris, New York, <br /> 1935–1941, glass ampoule, 4 x 2.5 x 2.5 cm<br /> Collection David Fleiss, Paris<br /> © Succession Marcel Duchamp / 2014, ProLitteris, Zurich; Photo: Galerie <br /> 1900–2000<br />
Marcel Duchamp, Air de Paris, 1935–1941
Signed miniature of the readymade Air de Paris (1919) from La Boîte en
valise (De ou par Marcel Duchamp ou Rrose Sélavy), Paris, New York,
1935–1941, glass ampoule, 4 x 2.5 x 2.5 cm
Collection David Fleiss, Paris
© Succession Marcel Duchamp / 2014, ProLitteris, Zurich; Photo: Galerie
1900–2000



The FEAR of smell – the smell of FEAR, 2006 to today<br /> Scent, variable dimensions<br /> Courtesy of the artist, supported by IFF (International Flavors & Fragrances Inc.)<br /> © 2014, ProLitteris, Zurich; Sissel Tolaas; Photo: Louisiana Museum of Modern Art, Humlebæk <br />
Sissel Tolaas, FEAR 1/8, Louisiana 2009
The FEAR of smell – the smell of FEAR, 2006 to today
Scent, variable dimensions
Courtesy of the artist, supported by IFF (International Flavors & Fragrances Inc.)
© 2014, ProLitteris, Zurich; Sissel Tolaas; Photo: Louisiana Museum of Modern Art, Humlebæk



Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Sissel Tolaas, the FEAR of smell - the smell of FEAR, 2006 to today
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Sissel Tolaas, the FEAR of smell - the smell of FEAR, 2006 to today
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz



Sissel Tolaas, the FEAR of smell - the smell of FEAR, 2006 to today
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz



Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Sissel Tolaas, the FEAR of smell - the smell of FEAR, 2006 to today
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Metal, cotton, paper, dimensions of the open can : height : 10 cm, diameter : 6,5 cm<br /> Dépôt de Rudy Ricciotti<br /> Institut d’art Contemporain, Villeurbanne/Rhône-Alpes<br /> © 2014, Bernard Bazile/ProLitteris, Zürich; Photo: Mozziconacci et Sibran, Collection Institut d’art contemporain, Rhône-Alpes<br />
Bernard Bazile, Boîte ouverte de Piero Manzoni, 1989
Metal, cotton, paper, dimensions of the open can : height : 10 cm, diameter : 6,5 cm
Dépôt de Rudy Ricciotti
Institut d’art Contemporain, Villeurbanne/Rhône-Alpes
© 2014, Bernard Bazile/ProLitteris, Zürich; Photo: Mozziconacci et Sibran, Collection Institut d’art contemporain, Rhône-Alpes



Drypoint on cloth, 40,6 x 38,1 cm.<br /> Collection The Easton Foundation<br /> © 2014,The Easton Foundation/ ProLitteris, Zurich; Photo: Christopher Burke<br />  
Louise Bourgeois, The smell of feet, 2000
Drypoint on cloth, 40,6 x 38,1 cm.
Collection The Easton Foundation
© 2014,The Easton Foundation/ ProLitteris, Zurich; Photo: Christopher Burke
 


Etching, pencil and gouache on paper mounted on panel, 149,2 x 87,6 cm.<br /> Private Collection<br /> © 2014, The Easton Foundation/ ProLitteris, Zurich; Photo: Christopher Burke<br />
Louise Bourgeois, Ode to Eugénie Grandet, 2007
Etching, pencil and gouache on paper mounted on panel, 149,2 x 87,6 cm.
Private Collection
© 2014, The Easton Foundation/ ProLitteris, Zurich; Photo: Christopher Burke



Elastane, wood, spices, sand, 1500 x 600 x 400 cm<br /> Private Collection<br /> © 2014, Ernesto Neto; Photo: Giorgio Benni, Courtesy the artist and Macro – Museo d’arte contemporanea Roma<br />
Ernesto Neto, Mentre niente accade/While nothing happens, 2008 (Detail)
Elastane, wood, spices, sand, 1500 x 600 x 400 cm
Private Collection
© 2014, Ernesto Neto; Photo: Giorgio Benni, Courtesy the artist and Macro – Museo d’arte contemporanea Roma



Elastane, wood, spices, sand, 1500 x 600 x 400 cm<br /> Private Collection<br /> © 2014, Ernesto Neto; Photo: Giorgio Benni, Courtesy the artist and Macro – Museo d’arte contemporanea Roma<br />
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Elastane, wood, spices, sand, 1500 x 600 x 400 cm
Private Collection
© 2014, Ernesto Neto; Photo: Giorgio Benni, Courtesy the artist and Macro – Museo d’arte contemporanea Roma



Stainless steel, flowers, and textile, 200,03 cm x 59,69 cm x 34,93 cm<br /> Gift from the Heather and Tony Podesta Collection, Washington, DC, 2012.<br /> The Phillips Collection, Washington, D.C.<br /> © 2014, Valeska Soares; Photo: The Phillips Collection, Washington, D.C.<br />
Valeska Soares, Fainting Couch, 2002
Stainless steel, flowers, and textile, 200,03 cm x 59,69 cm x 34,93 cm
Gift from the Heather and Tony Podesta Collection, Washington, DC, 2012.
The Phillips Collection, Washington, D.C.
© 2014, Valeska Soares; Photo: The Phillips Collection, Washington, D.C.



Aus der 30-teiligen Werkserie Grottenbilder<br /> Digitale Collage, C-Print auf Aluminium, 42 x 56 cm<br /> Courtesy of the artists and STAMPA Galerie, Basel<br /> © Gerda Steiner & Jörg Lenzlinger
Gerda Steiner & Jörg Lenzlinger, Duftgrotte, 2005
Aus der 30-teiligen Werkserie Grottenbilder
Digitale Collage, C-Print auf Aluminium, 42 x 56 cm
Courtesy of the artists and STAMPA Galerie, Basel
© Gerda Steiner & Jörg Lenzlinger


talcum powder, candle, gas scent<br /> variable dimensions<br /> Creditline: "la Caixa" Collection of Contemporary Art<br /> Copyright: Cildo Meireles; Photo: Courtesy Galerie Lelong, New York
Cildo Meireles, Volátil (Volatile), 1980/1994
talcum powder, candle, gas scent
variable dimensions
Creditline: "la Caixa" Collection of Contemporary Art
Copyright: Cildo Meireles; Photo: Courtesy Galerie Lelong, New York


Print, 160 x 122 mm<br /> Creditline: Museum Boijmans Van Beuningen, Rotterdam<br /> Copyright: Photo: Studio Tromp, Rotterdam
Jan Saenredam, Geruch, 1595-1600
Print, 160 x 122 mm
Creditline: Museum Boijmans Van Beuningen, Rotterdam
Copyright: Photo: Studio Tromp, Rotterdam


© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Exhibition room with photos of Jean Tinguelys Méta-Matic No. 17 in action on the occasion of the 1ière Biennale de Paris 1959
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz



Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Stefan Holenstein
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Stefan Holenstein


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Stefan Holenstein
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Stefan Holenstein


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Ernesto Neto, Mentre niente accade/While nothing happens, 2008
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Stefan Holenstein
Clara Ursitti während Aufbauarbeiten zu ihrem Werk Eau Claire, 1992-1993
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Stefan Holenstein


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Bruno Jakob während Aufbauarbeiten zu seinem Werk Fragile Images. Sky Cells. Vegetative State. Flood of Thought. Somewhere Now. Untouchables, 2013
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Bruno Jakob während seiner Performance Fragile Images. Sky Cells. Vegetative State. Flood of Thought. Somewhere Now. Untouchables, 2013
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Bruno Jakob während seiner Performance Fragile Images. Sky Cells. Vegetative State. Flood of Thought. Somewhere Now. Untouchables, 2013
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz

39_BelleHaleineJakob_low.jpg (JPEG, 780.6 KB)

Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Peter Schnetz
Bruno Jakob während seiner Performance Fragile Images. Sky Cells. Vegetative State. Flood of Thought. Somewhere Now. Untouchables, 2013
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Peter Schnetz

40_BelleHaleineJakob_low.jpg (JPEG, 682.6 KB)

Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Duftkino mit 'smell statements' von Sissel Tolaas: Jean Tinguely, Study for an End of the World No. 2, Las Vegas, 1962
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Kristoffer Myskja, Smoking Machine, 2007/2014
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Meg Webster, Moss Bed, Queen, 1986/2005-2015
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Jenny Marketou, Smell you, smell me, 1998
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Clara Ursitti, Eau Claire, 1992-1993
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen


Installation view at the Museum Tinguely, Basel<br /> © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Anna-Sabina Zürrer, Wald, 2011
Installation view at the Museum Tinguely, Basel
© 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen