On the Radical Equivalence of Experience

Tarek Lakhrissi, «Sick Sad World», 2020, Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethane, pigments, acrylic, plaster; Wiels, Brussels, BE; ​​​​​​​Courtesy of the artist, WELS, Knokke-Heist and VITRINE; Photo: Rembert De Prez

On the Radical Equivalence of Experience
(Choreopolitics, Queer)
24 until 26 June 2022

At the heart of this theme is the place from which we express ourselves. Where does our I come from? And our We? How can spaces and times be connected and kept flexible even as they interact? After all, places and contexts are the spatial and mental settings that render experience possible or impossible. Choreopolitics explores what invisibly guides our bodies and our emotions. Complex performative systems impact us. Spatial and social situations, institutions, urban planning and architecture, but also the family, school, stage, work, and gender norms all evoke demands on our conduct, our actions, our sensibility. Since in everyday life such appeals tend to masquerade as habits, routine, or matters of course, we often become aware of them only after moving to a different context. Choreopolitics reads places as spatial and mental settings that enable the new.

Performances:

  • Tarek Lahkrissi
  • Julia Geröcs & Gabriel Studerus
  • La Ribot Ensemble
  • Anne Käthi Wehrli


Talks: Maria La Ribot, Charlatan | Jean-Damien Fleury, Sarah Glaisen, Esther Maria Jungo, Adailton Santos im Gespräch mit Romy Rüegger, Tarek Lahkrissi, Julia Geröcs & Gabriel Studerus, Anne Käthi Wehrli
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Tarek Lakhrissi, BEAST!, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Tarek Lakhrissi, BEAST!, Performance at Museum Tinguely as a part of the exhibition  BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Tarek Lakhrissi, BEAST!, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Tarek Lakhrissi, BEAST!, Performance at Museum Tinguely as a part of the exhibition  BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Tarek Lakhrissi, Sick Sad World, 2020, Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic, plaster; Wiels, Brussels, BE, Courtesy of the artist, WELS, Knokke-Heist and VITRINE; photo: Rembert De Prez

Tarek Lakhrissi, Sick Sad World, 2020, Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic, plaster; Wiels, Brussels, BE, Courtesy of the artist, WELS, Knokke-Heist and VITRINE; photo: Rembert De Prez

Tarek Lakhrissi, Sick Sad World, 2020, Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic, plaster; Wiels, Brussels, BE, Courtesy of the artist, WELS, Knokke-Heist and VITRINE; photo: Rembert De Prez

Tarek Lakhrissi, Sick Sad World, 2020, Installation in collaboration with Theo Demans and performance with wood, styrofoam, fabric, metal, polyether foam, polyurethan, pigments, acrylic, plaster; Wiels, Brussels, BE, Courtesy of the artist, WELS, Knokke-Heist and VITRINE; photo: Rembert De Prez

Tarek Lakhrissi, Different Alibis (Part II), 2019, Performance event curated by Tarek Lakhrissi with Harilay Rabenjamina, Christelle Oyiri and Ndayé Kouagou; Auto Italia South East, London, UK; photo: Katarzyna Perlak

Tarek Lakhrissi, Different Alibis (Part II), 2019, Performance event curated by Tarek Lakhrissi with Harilay Rabenjamina, Christelle Oyiri and Ndayé Kouagou; Auto Italia South East, London, UK; photo: Katarzyna Perlak

La Ribot, Pièce distinguée Nº45, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

La Ribot, Pièce distinguée Nº45, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

La Ribot, Pièce distinguée Nº45, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

La Ribot, Pièce distinguée Nº45, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Julia Geröcs & Gabriel Studerus, Die Symbiotisten, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Julia Geröcs & Gabriel Studerus, Die Symbiotisten, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Julia Geröcs & Gabriel Studerus, Die Symbiotisten, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

Julia Geröcs & Gabriel Studerus, Die Symbiotisten, Performance at Museum Tinguely as a part of the exhibition BANG BANG, 2022 © 2022 Museum Tinguely, Basel; photo: Markus Goessi

BANG BANG On the Radical Equivalence of Experience