Installation view with visitors and works by Slavs and Tatars, Brine & Punishment, 2019 (front) and Pickle Tits, 2018 © 2020 Museum Tinguely, Basel; photo: Nicolas Lieber

Installation view with visitors and works by Slavs and Tatars, Brine & Punishment, 2019 (front) and Pickle Tits, 2018 © 2020 Museum Tinguely, Basel; photo: Nicolas Lieber



Installation view with visitors  ​​​​​​​© 2020 Museum Tinguely, Basel; photo: Nicolas Lieber

Installation view with visitors
© 2020 Museum Tinguely, Basel; photo: Nicolas Lieber



Museum Tinguely with Schwimmwasserplastik by Jean Tinguely in the Solitude Park (view from the west) © 2020 Museum Tinguely Basel, photo: Nicolas Lieber Daniel Spehr

Museum Tinguely with Schwimmwasserplastik by Jean Tinguely in the Solitude Park (view from the west) © 2020 Museum Tinguely Basel, photo: Nicolas Lieber
Daniel Spehr



Installation view with Janine Antoni, Lick and Lather, 1993 (left) and Mortar and Pestle, 1999 (right) © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with Janine Antoni, Lick and Lather, 1993 (left) and Mortar and Pestle, 1999 (right)

© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with the works by Dennis Oppenheim, Gingerbread Man, 1970 (front) © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with the works by Dennis Oppenheim, Gingerbread Man, 1970 (front)

© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with works by Elizabeth Willing, Pick-me-up (kinder), fortlaufend seit 2016 (left); Pick-me-up (Icekonfekt), fortlaufend seit 2016 (right) © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with works by Elizabeth Willing, Pick-me-up (kinder), fortlaufend seit 2016 (left); Pick-me-up (Icekonfekt),

fortlaufend seit 2016 (right)

© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with Erwin Wurm, A portrait of the artist as a young man, 2011 © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with Erwin Wurm, A portrait of the artist as a young man, 2011

© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with works by Tom Wesselmann, Still Life #3, 1962 (right); Pol Bury, Bratpfanne mit Eiern, 1972 (middle) © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with works by Tom Wesselmann, Still Life #3, 1962 (right); Pol Bury, Bratpfanne mit Eiern, 1972 (middle)

© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with works by Bea de Visser, Blowup (Bubble), 2002 (back) und Sonja Alhäuser, Schokoladenmaschine II, 1999 (front) ​​​​​​​© 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with works by Bea de Visser, Blowup (Bubble), 2002 (back) und Sonja Alhäuser, Schokoladenmaschine II, 1999 (front)
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with works by Slavs and Tatars, Brine & Punishment, 2019 (front) and Pickle Tits, 2018  © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with works by Slavs and Tatars, Brine & Punishment, 2019 (front) and Pickle Tits, 2018
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with works by Damien Hirst, Chicken, 1999; Mushroom, 1999; Dumpling, 1999 (from: The Last Supper, 1999); Opavivará!, Aguardente, 2019 (left) © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with works by Damien Hirst, Chicken, 1999; Mushroom, 1999; Dumpling, 1999 (from: The Last Supper, 1999); Opavivará!, Aguardente, 2019 (left)
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with Tobias Rehberger, Familie Strychnin (Die nächste Generation), 2020 © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with Tobias Rehberger, Familie Strychnin (Die nächste Generation), 2020
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with works by Shimabuku, Sakepirinha, 2008; Ice Cream with Salt, 2010 und Ice Cream with Pepper, 2010 (right) © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with works by Shimabuku, Sakepirinha, 2008; Ice Cream with Salt, 2010 und Ice Cream with Pepper, 2010 (right)
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with Emeka Ogboh, Sufferhead Original – Basel Edition, 2020 © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with Emeka Ogboh, Sufferhead Original – Basel Edition, 2020
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with Marisa Benjamim, Hortus Deliciarum, 2019 © 2020 Museum Tinguely, Basel; photo: Gina Folly

Installation view with Marisa Benjamim, Hortus Deliciarum, 2019
© 2020 Museum Tinguely, Basel; photo: Gina Folly



Installation view with Urs Fischer, Noisette, 2009 © 2020 Museum Tinguely, Basel; photo: Daniel Spehr

Installation view with Urs Fischer, Noisette, 2009
© 2020 Museum Tinguely, Basel; photo: Daniel Spehr



Installation view with Elizabeth Willing, Goosebump, 2011 ongoing ​​​​​​​© 2020 Museum Tinguely, Basel; photo: Daniel Spehr

Installation view with Elizabeth Willing, Goosebump, 2011 ongoing
© 2020 Museum Tinguely, Basel; photo: Daniel Spehr



Installation view with Elizabeth Willing, Pick-me-up (kinder), 2016 ongoing © 2020 Museum Tinguely, Basel; photo: Daniel Spehr

Installation view with Elizabeth Willing, Pick-me-up (kinder), 2016 ongoing © 2020 Museum Tinguely, Basel; photo: Daniel Spehr



Installation view with Elizabeth Willing, Pick-me-up (kinder), 2016 ongoing © 2020 Museum Tinguely, Basel; photo: Daniel Spehr

Installation view with Elizabeth Willing, Pick-me-up (kinder), 2016 ongoing © 2020 Museum Tinguely, Basel; photo: Daniel Spehr



Installation view with Elizabeth Willing, Pick-me-up (Icekonfekt),  2016 ongoing  © 2020 Museum Tinguely, Basel; photo: Daniel Spehr

Installation view with Elizabeth Willing, Pick-me-up (Icekonfekt),

2016 ongoing

© 2020 Museum Tinguely, Basel; photo: Daniel Spehr



<p>Janine Antoni, <em>Mortar and Pestle</em>, 1999<br />
C-print, 121,9 x 121,9 cm<br />
Janine Antoni; Courtesy of the artist and Luhring Augustine, New York © Janine Antoni; Courtesy of the artist and Luhring Augustine, New York</p>
Janine Antoni_mortar_.jpg (JPEG, 205,6 KB)

Elizabeth Willing, Installation view of the interactive work Goosebump, 2011 - ongoing Pfeffernüsse (frosted gingerbread) and icing on a wall, dimensions variable Courtesy of the artist and Tolarno Galleries Melbourne © Elizabeth Willing and Tolarno Galleries Melbourne ​​​​​​​Photo: Elizabeth Willing

Elizabeth Willing, Installation view of the interactive work Goosebump, 2011 - ongoing
Pfeffernüsse (frosted gingerbread) and icing on a wall, dimensions variable
Courtesy of the artist and Tolarno Galleries Melbourne
© Elizabeth Willing and Tolarno Galleries Melbourne
Photo: Elizabeth Willing



<p>Jan Davidsz. de Heem, F<em>ruchtstilleben mit gefülltem Weinglas</em>, seventeenth century<br />
Oil on oak, 35 × 53 cm<br />
Staatliche Kunsthalle, Karlsruhe<br />
© bpk / Staatliche Kunsthalle Karlsruhe / Annette Fischer / Heike Kohler</p>

Jan Davidsz. de Heem, Fruchtstilleben mit gefülltem Weinglas, seventeenth century
Oil on oak, 35 × 53 cm
Staatliche Kunsthalle, Karlsruhe
© bpk / Staatliche Kunsthalle Karlsruhe / Annette Fischer / Heike Kohler


6_JanDavidsz.deHeem.jpg (JPEG, 306,3 KB)

Sam Taylor-Johnson, Still Life, 2001 (filmstill) One-channel video, (color, no sound) on monitor, 3’44” loop Edition 5/6, Sammlung Goetz, Munich © Sam Taylor-Johnson. All Rights Reserved, 2020, ProLitteris, Zurich

Sam Taylor-Johnson, Still Life, 2001 (filmstill)
One-channel video, (color, no sound) on monitor, 3’44” loop
Edition 5/6, Sammlung Goetz, Munich
© Sam Taylor-Johnson. All Rights Reserved, 2020, ProLitteris, Zurich



Sam Taylor-Johnson, Still Life, 2001 (filmstill) One-channel video, (color, no sound) on monitor, 3’44” loop Edition 5/6, Sammlung Goetz, Munich © Sam Taylor-Johnson. All Rights Reserved, 2020, ProLitteris, Zurich

Sam Taylor-Johnson, Still Life, 2001 (filmstill)
One-channel video, (color, no sound) on monitor, 3’44” loop
Edition 5/6, Sammlung Goetz, Munich
© Sam Taylor-Johnson. All Rights Reserved, 2020, ProLitteris, Zurich



<p>Farah Al Qasimi, <em>Lunch</em>, 2018<br />
Archival inkjet print (exhibition copy), 102 × 74 cm<br />
Courtesy of the artist, The Third Line, Dubai, and Helena Anrather Gallery, New York<br />
© Farah Al Qasimi<br />
Photo: Courtesy of the artist and The Third Line, Dubai and Helena Anrather Gallery, New York</p>
13_FarahAlQasimi_Lunch.jpg (JPEG, 364,5 KB)