Bruce Conner, CROSSROADS, 1976 (Filmstill) 35mm, b/w, sound, 37 min. Original Music by Patrick Gleeson and Terry Riley Restoration by UCLA Film & Television Archive Courtesy Kohn Gallery and Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, CROSSROADS, 1976 (Filmstill)
35mm, b/w, sound, 37 min.
Original Music by Patrick Gleeson and Terry Riley
Restoration by UCLA Film & Television Archive
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


CROSSROADS 1.jpg (JPEG, 501,4 KB)

Bruce Conner, CROSSROADS, 1976 (Filmstill) 35mm, b/w, sound, 37 min. Original Music by Patrick Gleeson and Terry Riley Restoration by UCLA Film & Television Archive Courtesy Kohn Gallery and Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, CROSSROADS, 1976 (Filmstill)
35mm, b/w, sound, 37 min.
Original Music by Patrick Gleeson and Terry Riley
Restoration by UCLA Film & Television Archive
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


CROSSROADS 2.jpg (JPEG, 439,1 KB)

Bruce Conner, CROSSROADS, 1976 (Filmstill) 35mm, b/w, sound, 37 min. Original Music by Patrick Gleeson and Terry Riley Restoration by UCLA Film & Television Archive Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, CROSSROADS, 1976 (Filmstill)
35mm, b/w, sound, 37 min.
Original Music by Patrick Gleeson and Terry Riley
Restoration by UCLA Film & Television Archive
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


CROSSROADS 3.jpg (JPEG, 822,1 KB)

Bruce Conner, CROSSROADS, 1976 (Filmstill) 35mm, b/w, sound, 37 min. Original Music by Patrick Gleeson and Terry Riley Restoration by UCLA Film & Television Archive Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, CROSSROADS, 1976 (Filmstill)
35mm, b/w, sound, 37 min.
Original Music by Patrick Gleeson and Terry Riley
Restoration by UCLA Film & Television Archive
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


CROSSROADS 4.jpg (JPEG, 655,4 KB)

Bruce Conner, A MOVIE, 1958 (Filmstill) 16mm, b/w, sound, 12 min. Music: ‘The Pines of the Villa Borghese’, ‘Pines Near a Catacomb’ and ‘The Pines of the Appian Way’, movements from Pines of Rome (Pini di Roma) (1923–24), composed by Ottorino Respighi, performed by the NBC Symphony, conducted by Arturo Toscanini Courtesy Kohn Gallery and Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, A MOVIE, 1958 (Filmstill)
16mm, b/w, sound, 12 min.
Music: ‘The Pines of the Villa Borghese’, ‘Pines Near a Catacomb’ and ‘The Pines of the Appian Way’, movements from Pines of Rome (Pini di Roma) (1923–24), composed by Ottorino Respighi, performed by the NBC Symphony, conducted by Arturo Toscanini
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Bruce Conner, A MOVIE, 1958 (Filmstill) 16mm, b/w, sound, 12 min. Music: ‘The Pines of the Villa Borghese’, ‘Pines Near a Catacomb’ and ‘The Pines of the Appian Way’, movements from Pines of Rome (Pini di Roma) (1923–24), composed by Ottorino Respighi, performed by the NBC Symphony, conducted by Arturo Toscanini Courtesy Kohn Gallery and Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, A MOVIE, 1958 (Filmstill)
16mm, b/w, sound, 12 min.
Music: ‘The Pines of the Villa Borghese’, ‘Pines Near a Catacomb’ and ‘The Pines of the Appian Way’, movements from Pines of Rome (Pini di Roma) (1923–24), composed by Ottorino Respighi, performed by the NBC Symphony, conducted by Arturo Toscanini
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


A MOVIE_4K00003811 copy.jpg (JPEG, 459,9 KB)

Bruce Conner, A MOVIE, 1958 (Filmstill) 16mm, b/w, sound, 12 min. Music: ‘The Pines of the Villa Borghese’, ‘Pines Near a Catacomb’ and ‘The Pines of the Appian Way’, movements from Pines of Rome (Pini di Roma) (1923–24), composed by Ottorino Respighi, performed by the NBC Symphony, conducted by Arturo Toscanini Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, A MOVIE, 1958 (Filmstill)
16mm, b/w, sound, 12 min.
Music: ‘The Pines of the Villa Borghese’, ‘Pines Near a Catacomb’ and ‘The Pines of the Appian Way’, movements from Pines of Rome (Pini di Roma) (1923–24), composed by Ottorino Respighi, performed by the NBC Symphony, conducted by Arturo Toscanini
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Bruce Conner, LOOKING FOR MUSHROOMS (Terry Riley Version), 1959–1967/1996 (Filmstill) 16mm, color, sound, 14 min. 30 sec. Music: Terry Riley, Poppy Nogood and the Phantom Band (1968) Courtesy Kohn Gallery and the Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, LOOKING FOR MUSHROOMS (Terry Riley Version), 1959–1967/1996 (Filmstill)
16mm, color, sound, 14 min. 30 sec.
Music: Terry Riley, Poppy Nogood and the Phantom Band (1968)
Courtesy Kohn Gallery and the Conner Family Trust
© Conner Family Trust


LFM_4K_Crosses.jpg (JPEG, 364,5 KB)

Bruce Conner, LOOKING FOR MUSHROOMS (Terry Riley Version), 1959–1967/1996 (Filmstill) 16mm, color, sound, 14 min. 30 sec. Music: Terry Riley, Poppy Nogood and the Phantom Band (1968) Courtesy Kohn Gallery and the Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, LOOKING FOR MUSHROOMS (Terry Riley Version), 1959–1967/1996 (Filmstill)
16mm, color, sound, 14 min. 30 sec.
Music: Terry Riley, Poppy Nogood and the Phantom Band (1968)
Courtesy Kohn Gallery and the Conner Family Trust
© Conner Family Trust


LFM_4K_Mushrooms.jpg (JPEG, 65,5 KB)

Bruce Conner, MEA CULPA, 1981 (Filmstill) 16mm, b/w, sound, 5 min. Music: David Byrne and Brian Eno, ‘Mea Culpa’ from My Life in the Bush of Ghosts (1981) ​​​​​​​Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, MEA CULPA, 1981 (Filmstill)
16mm, b/w, sound, 5 min.
Music: David Byrne and Brian Eno, ‘Mea Culpa’ from My Life in the Bush of Ghosts (1981)
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


MEA CULPA_frame-000563.jpg (JPEG, 110,0 KB)

Bruce Conner, MEA CULPA, 1981 (Filmstill) 16mm, b/w, sound, 5 min. Music: David Byrne and Brian Eno, ‘Mea Culpa’ from My Life in the Bush of Ghosts (1981) ​​​​​​​Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, MEA CULPA, 1981 (Filmstill)
16mm, b/w, sound, 5 min.
Music: David Byrne and Brian Eno, ‘Mea Culpa’ from My Life in the Bush of Ghosts (1981)
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


MEA CULPA_frame-000704.jpg (JPEG, 101,5 KB)

Bruce Conner, REPORT, 1963–1967 (Filmstill) 16mm, b/w, sound, 13 min. Sound: Extracts of The Assassination of John F. Kennedy: Four Days that Shocked the World (1963); published by Colpix Records; speaker: Reid Collins, WNEW Radio News Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, REPORT, 1963–1967 (Filmstill)

16mm, b/w, sound, 13 min.

Sound: Extracts of The Assassination of John F. Kennedy: Four Days that Shocked the World (1963); published by Colpix Records; speaker: Reid Collins, WNEW Radio News

Courtesy Kohn Gallery and Conner Family Trust

© Conner Family Trust



Bruce Conner, REPORT, 1963–1967 (Filmstill) 16mm, b/w, sound, 13 min. Sound: Extracts of The Assassination of John F. Kennedy: Four Days that Shocked the World (1963); published by Colpix Records; speaker: Reid Collins, WNEW Radio News Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, REPORT, 1963–1967 (Filmstill)

16mm, b/w, sound, 13 min.

Sound: Extracts of The Assassination of John F. Kennedy: Four Days that Shocked the World (1963); published by Colpix Records; speaker: Reid Collins, WNEW Radio News

Courtesy Kohn Gallery and Conner Family Trust

© Conner Family Trust


REPORT_4K_Rifle.jpg (JPEG, 590,0 KB)

Bruce Conner, TAKE THE 5:10 TO DREAMLAND, 1977 (Filmstill) 16mm, b/w - sepia, sound, 5 min. 10 sec. Music: Patrick Gleeson Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, TAKE THE 5:10 TO DREAMLAND, 1977 (Filmstill)
16mm, b/w - sepia, sound, 5 min. 10 sec.
Music: Patrick Gleeson
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Bruce Conner, TAKE THE 5:10 TO DREAMLAND, 1977 (Filmstill) 16mm, b/w - sepia, sound, 5 min. 10 sec. Music: Patrick Gleeson Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, TAKE THE 5:10 TO DREAMLAND, 1977 (Filmstill)
16mm, b/w - sepia, sound, 5 min. 10 sec.
Music: Patrick Gleeson
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Bruce Conner, MONGOLOID, 1978 (Filmstill) 16mm, digitised, b/w, sound, 3 min. 30 sec. Music: DEVO, Mongoloid (1977) Courtesy Kohn Gallery and Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, MONGOLOID, 1978 (Filmstill)
16mm, digitised, b/w, sound, 3 min. 30 sec.
Music: DEVO, Mongoloid (1977)
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Bruce Conner, MONGOLOID, 1978 (Filmstill) 16mm, digitised, b/w, sound, 3 min. 30 sec. Music: DEVO, Mongoloid (1977) Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, MONGOLOID, 1978 (Filmstill)
16mm, digitised, b/w, sound, 3 min. 30 sec.
Music: DEVO, Mongoloid (1977)
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust


MONGOLOID_2.jpg (JPEG, 162,9 KB)

Bruce Conner, VALSE TRISTE, 1978 (Filmstill) 16mm, b/w - sepia, sound, 5 min. Music: Jean Sibelius, Valse Triste, Op. 44, (1903/04) Courtesy Kohn Gallery and Conner Family Trust ​​​​​​​© Conner Family Trust

Bruce Conner, VALSE TRISTE, 1978 (Filmstill)
16mm, b/w - sepia, sound, 5 min.
Music: Jean Sibelius, Valse Triste, Op. 44, (1903/04)
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Bruce Conner, VALSE TRISTE, 1978 (Filmstill) 16mm, b/w - sepia, sound, 5 min. Music: Jean Sibelius, Valse Triste, Op. 44, (1903/04) Courtesy Kohn Gallery and Conner Family Trust © Conner Family Trust

Bruce Conner, VALSE TRISTE, 1978 (Filmstill)
16mm, b/w - sepia, sound, 5 min.
Music: Jean Sibelius, Valse Triste, Op. 44, (1903/04)
Courtesy Kohn Gallery and Conner Family Trust
© Conner Family Trust



Jerry Burchard, Bruce Conner in His Studio, ca. 1958–59 © The Estate of Jerry Burchard. Used with permission.

Jerry Burchard, Bruce Conner in His Studio, ca. 1958–59
© The Estate of Jerry Burchard. Used with permission.



Bruce Conner, A MOVIE, 1958 Installation view in the exhibition «Bruce Conner. Light out of Darkness » © 2021, Museum Tinguely; photo: Matthias Willi

Bruce Conner, A MOVIE, 1958
Installation view in the exhibition «Bruce Conner. Light out of Darkness »
© 2021, Museum Tinguely; photo: Matthias Willi



Bruce Conner, CROSSROADS, 1976 ​​​​​​​Installation view in the exhibition «Bruce Conner. Light out of Darkness » © 2021, Museum Tinguely; photo: Matthias Willi

Bruce Conner, CROSSROADS, 1976
Installation view in the exhibition «Bruce Conner. Light out of Darkness »
© 2021, Museum Tinguely; photo: Matthias Willi



Installation view in the exhibition «Bruce Conner. Light out of Darkness» © 2021, Museum Tinguely; photo: Matthias Willi

Installation view in the exhibition «Bruce Conner. Light out of Darkness»
© 2021, Museum Tinguely; photo: Matthias Willi